Family – Nastasya Parker

A Creative Start

This Week’s Bit of String: “What shall we make?”

In our first year of married life, my husband started a Saturday morning pancake-making tradition with our little kiddo. While I hiked the hills, they’d make pancakes from a Jamie Oliver recipe, my husband fluffing up the eggs with a hand-cranked beater. Our preschooler helped measure and mix.

Despite them doing it almost every week, it stirred in our little Bear an almost unspeakable excitement. Early on a Saturday morning, they would plonk next to their dad in our bed and ask, wide-eyed, almost vibrating with elation:

“What shall WE make?”

The correct answer, of course, was pancakes. But it was as if it couldn’t mean nearly as much if Bear asked directly for them. They had to be Daddy’s suggestion, every time.

My husband would draw out the game. “Mandrakes? Bran flakes?” Until at last: “Pancakes!”

I often think of this when I’m starting a new project. That relish, that possibility. What shall WE make, I ask myself, summoning some semblance of youthful vigour.

Whose Idea is It, Anyway?

There’s a perennial hope, too, that the idea I work with may appear from an external source. I mean, to an extent, all ideas do. But as creatives we must at least invite them, if not invent them. We have to wake the muse from her blissful weekend sleep and badger her until she divulges something. When she’s sleeping extra tight, we must remind ourselves, perhaps, that we’ve known what we want all along.

Funnily, a lot of my story ideas materialise in the night. Sometimes between dreams and sleep, sometimes when I’m trying and failing to relax into slumber, a line pops into my head. What on earth does it mean? What sort of a person would think this? What happens next?

“My sister devoured the whole of history.”

“In the boys’ minds you left so fast, you didn’t bother wearing shoes. Just ran barefoot down the dirt road.”

“As a boy, Tom believed every grandpa came with a matching grandfather clock.”

It is possible, when interrogating a line or an idea, to over-beat it. I devise so much backstory, I lose sight of which bit I might zoom in on to convey the pivotal moment that is a short story. At the moment, I’m trying to find my way through that predicament with my third random short story of the year.

Traps and Tricks

Similar to making their dad suggest pancakes anew every single week, our Bear had other funny, roundabout ways. When we went on walks, they’d try to make my husband chase them. They’d stick goosegrass on his clothes or sneak up and tickle him.

Then our kiddo would say, “Do you want to catch me? Do you have any traps for me?”

They’d be hopping in place, not wanting to run away because they loved the game of being tackled and tickled, or dangled upside down.

That’s another great challenge when concocting something new. It must be exciting, but we can’t force the stakes. Sometimes an idea remains just a concept because I can’t work out how to nudge it toward a plausible, engaging crisis. Embarrassingly, I’ve developed and drafted whole novels only to feel the climax falls flat. Does that happen to other creatives? Or do they have more exciting imaginations?

Maybe I need to add more ingredients. More dark secrets, a love triangle, a dragon? But not necessarily. I might just need to be bolder, to more fearlessly mine the ideas I have, and to get messy with them. Currently planning a new novel, I’ve got my characters’ flaws in mind from the beginning. Sometimes I like them so much I’m determined to keep them blameless–not this time.

Creative habits are hard-won. I’m proud that I sit down at the end of a long day and push myself, wearily, to make up stuff. But it needs to be fresh, too, and that’s one reason why I like remembering our family tan-snakes…scran-bakes… PANCAKES tradition.

What makes you smile as you craft chaos into order?

Enduring Power

This Week’s Bit of String: A pleasant surprise

Sometimes it’s hard to remember in the chilly grey exhaustion of January, but my family had a great Christmas. My husband and I decorated the house all cosy, I cooked many yummy things, and we welcomed our kiddo and their partner for an extended visit from the US. We spent relaxed, happy days together, which became even lovelier when they got engaged.

I didn’t see it coming. They look after each other and live together, but somehow I did not expect an engagement, even when they’ve been a couple for years. I suppose this naivete was largely down to my own self-perception: Hang on, I’m old enough to have an engaged kid?

The surprise has faded a little, but I’m still tremendously excited that my little family is slated to officially grow. Whenever I see someone who knew my kiddo when they were at school, for example, I update them with relish. And I’m not the least bit tired of it yet.

I’ve written before about the worry that a memory’s power might get used up or worn out. And I am thinking about this again, wondering whether I should guard the engagement news to keep it feeling shiny. Right now, I still get sharp pangs missing the kids when I walk past their empty room. Maybe that will fade, but does that mean the happiness about the times we had will too?

Keeping News New

This relates not just to the stories we want to pass on, but to what we take in. As an alarming presidential term begins in my native country, I’m wrestling with how much to let this consume me. Twitter is a mess of partisans either hyperventilating over or ogling Trump, very little use, whereas mainstream media talking about him like he’s normal nauseates me.

This man lacking empathy, intelligence, and morals was elected president, partly due to a lack of information getting to people about him… or indifference of those people to the information that did reach them. When a leader seems constantly to be making things worse for somebody, often for one minority or another, it’s difficult to keep impressing that upon others who have the privilege of just getting on with their lives.

By definition, we can’t be shocked by the same thing in perpetuity. We all know a person or two who’s a last story freak; who always has a prevailing trauma or a story that tops all others. As a storyteller myself, I’m liable to fight fire with fire and hyperbole with hyperbole. Telling stories becomes a bit of an arms race.

My plan for not getting caught up in it when actual current events feel like they’re escalating is to stick with the facts. Let’s monitor and respond to the ruling party’s actions, not their pervasive rhetoric.

Capacity for Astonishment

Recognising that even a glimpse of the inauguration would be intolerable, I sorted myself some alternative programming for Monday after work. I watched one of my absolute favourite films: Spielberg’s Lincoln. It has a Tony Kushner script and a massive cast of incredible actors immersing you in 1865, when Lincoln decided it was time to amend the Constitution to ban slavery–even if it prolonged the horrific Civil War.

*Different from the 13th Amendment, but still very cool. From the British Library.*

“Is this a hopeful film to watch today?” my husband asked.

“Well, it shows that even when our history was cruel and selfish, some people managed to overcome it.”

Although I’ve watched this film at least annually for a decade, it still moves me to tears several times over. From the first scene when a defiant David Oyelowo repeats the Gettysburg Address, to Tommy Lee Jones taking the freshly-passed 13th Amendment home to share with his partner, to the final departure of Lincoln from the White House. Watching this again, I know that sometimes, a retelling actually grows in potency thanks to our anticipation of the best bits. A passion for something can spiral, heightening enjoyment still more.

It also gives me another tip for keeping a story fresh: broaden the cast. The more voices we allow to speak about something, the stronger a story is.

What stories do you love to repeat? How do you maintain their power?

Use Your Words

This Week’s Bit of String: A particularly memorable Christmas gift

The Christmas when I was ten, my family were hosting a gathering for our local relatives. My dad’s brother was a fire captain so kept a busy schedule, especially since he split his time caring for his fiancee’s family. But he stopped by when he could. Everyone wanted some of Uncle Mike’s attention.

As one of 4 kids, I was somewhat resigned to not being a sole receiver of attention, though I occasionally did cringey things to attract it. (You’ll be shocked to hear that, I’m sure.) That Christmas, I was fetching something in the kitchen just as my uncle departed, so I was on my own when he passed.

He took that moment to tell me, “It was good to see you today. Christmas wouldn’t be Christmas without you. You make it really special.”

Our Uncle Mike was later diagnosed with a brain tumour, having the biopsy on my kiddo’s first birthday. His illness and death at the age of 54 devastated us. I wish I could remember his face more vividly, without the vague unease of being heavily dependent on photos.

We all have people like that whom we think of particularly this time of year. I know I’m lucky to even have the pictures, and I’m spectacularly lucky that he bestowed kind words on us long before he knew that his chances to give them would be curtailed.

Christmas Treasure

The holidays can heighten sensations and emotion, packing extra power into our words and gestures. I always think of the line from the book of Luke in the Bible: “Mary treasured up all these things and pondered them in her heart.”

You would, wouldn’t you? Everyone from redneck shepherds to esteemed astronomers turning up to pay tribute to your child…

*Knitivity, Gloucester Cathedral*. *Note there IS an octopus present at the birth of Baby Jesus, bottom left…*

As you can see, I’ve preserved my Uncle Mike’s words in my internal Christmas treasury. I’ve also preserved that verse, Luke 2:19, because it was recited toward the end of the Christmas pageant every year in the little town where I grew up. The verse is tangled with memories of candlelit windows upstairs in a New England church, of the choir singing “O Holy Night” and elementary school students dancing in angel costumes. And then knitted blankets in the car, hot chocolate and my mother’s Christmas cookies at home, and Christmas lights reflected across a lake.

If You Can’t Say It Now, When Can You?

Christmas films have programmed us to expect great emotional fanfare at Christmas. Confessions of love, heartwarming reunions, the sudden cessation of being taken for granted. It doesn’t usually end up this way, as we’re still busy and stressed and full of ourselves at Christmas. But how much better are our holidays, how much more comforting and lasting are our memories, when we do take time to share moments and kind words with each other?

These are, after all, the true things to treasure. Because I’m somewhat cut off from my family most of the year, the interactions I have with my siblings and parents are generally focused on the present, or the near future. We don’t get much time to reminisce over lost loved ones, and I wonder what memories they treasure which could augment my own. Then there are my cousins who I barely manage to keep in touch with, and I’d love to better know even what’s going on for them currently.

So, in addition to my extremely important (and incredibly taxing!) hot chocolate challenge, I’m doing a little version of an advent calendar. I’ll write a relative or friend’s name in my planner for each day remaining in December, and send a message to see how they’re doing, and let them know that although I’m rubbish at showing it sometimes, I really do think of them. And that when I do, they help make my memories special.

I hope you have some treasured memories of kind words at Christmas, and that you’ll join me in creating more.

Preserving

This Week’s Bit of String: Jam from the hedgerows

The acers behind the school were already blushing scarlet when our new term started on Monday the 2nd of September. It felt too early, as if I’d missed out on something. Shouldn’t we already have got to know our new students and settled them into routine by the time the leaves turn?

There’s no time like autumn to remind us of… time. School starts, orienting students (and those of us working with them) toward exams. The garden outdoes itself and nature accelerates toward harvest. There’s my little Bear’s birthday–they just turned 23 this week. I’ve definitely missed out.

There are new writing deadlines and many special needs care plans to learn. I must jumpstart my diet and catch up on reading while my energy’s still depleted from the summer. Then family crisis strikes, and I’m glad that while I was home I stayed up till midnight scribbling the memories and got up at 5… Preserving things takes a real time commitment.

And yet, or perhaps therefore, I blew off the writing and reading progress I’d scheduled after school and went foraging for berries instead. For one sunny afternoon, I berried for 2 hours, and the following day I collected for over an hour, ending up soaked in a rain shower. The stormwater pooled in the seed-dimples of the blackberries.

Conserving Strength

I’d done this already. In the brief interval between visiting my family and restarting school, I spent hours picking blackberries and elderberries, then making jam. This was all on my to-do list, a great big planned chunk of time: to gather berries, cook it all down, and brutally sieve it smooth. This gave me 4 medium-small jars.

For a fair bit of money, you can get an elderberry concoction at the chemist’s to combat sore throats and infections. I made blackberry-elderberry jam last year, and I swear my horrible, 19-century-consumptive coughs didn’t stick around very long. This could be sheer coincidence, but in case tasty jam can help curtail illness, I’m not taking my chances without it.

This week’s batch of jam came to only half a single big jar. Not very good, is it? After a fair bit of effort. It uncomfortably mirrors certain writing projects once I’ve read through critically and realise the piece isn’t getting anywhere.

But having spent afternoons outside, I felt better than I had since school started. Sometimes the act of choosing what to preserve is as useful as the result. Foraging, alone in a back lane or field, my mind streamlines to one purpose and the many other commitments feel lighter for a while.

And I enjoyed rustling through the hedgerows again. I have great respect for these ecosystems, towering above me at this point in the year. Bright red rosehips like beacons along the top, bindweed buds like kisses and the sun glowing through their flowers’ white petals, the jumbled jewels of blackberry bunches mixing black with still-scarlet. Elderberries are particularly beautiful in my opinion, the delicate network of stems connecting shining berries: black, silvery-red, or pink-flecked green.

Preserving Memories

I realised too why I feel particularly myself when I’m caught in the rain. It’s an unmistakable impression that I’m seizing the day, regardless of the weather. Maybe I’m conflating vitality with inner self, but it’s something worthwhile, either way.

When we’re confronted with the changing of seasons, it can feel as if time picks up tempo exponentially. Every ball we juggle is flying faster, and which one should we chase first? I’m going to work and keeping my house just about clean, and checking in with my family and cooking meals and entering writing competitions and sending out critiques for other writers.

But those hours outside might stick with me most. I scribble daily to recount how I’m building relationships with my students, and my dreams in broken-up nights. Spending quieter moments in the fresh air, focused on hedgerow microcosms or the fine vistas beyond, keeps me in a mindset that livens other descriptions, such as of my walking commute to work. Becoming more aware, I have more to preserve.

I’m probably not the only one who rushes at tasks, clamouring to tick a good variety of them off my list, assuming that the whole will be greater than the sum of the parts. But making jam this week, I realised this isn’t always the case, nor should we wish it to be. Sometimes the act of gathering is more important than the fruit.

This can be true of writing. Staying open to ideas may benefit us more than toiling to write every single one down. It’s definitely true of families–preserving memories is important, but making them will always be the most precious time. And maybe slowing down briefly can be the key to keeping on.

What do you like to preserve, and how do you find the best ways to do it?

Learning Abroad

This Week’s Bit of String: On the way to somewhere else

I’d never have got into this whole immigrant fix, splitting myself between two countries, if I hadn’t done a term abroad while in college. My major was English/ Education in New Hampshire, where contributing to class discussion was key.

In the UK, on the other hand, professors seemed flummoxed when people turned up. They didn’t even expect us to read the assigned literature: “If you didn’t do the reading for this week, I hope you do at some point in your life. It’s a great book…”

*Twin American spires: church steeple and rocket*

I had read each book, as it happened, and was unimpressed having it summarised in a murmur for 3 hours. Screw it, I decided. I’ll do the reading while on the train to somewhere more interesting.

And off I went, to friends in Glasgow, Bangor, Wolverhampton, and especially London. I read, and listened to new-to-me British music (Texas, Robbie Williams, Steps), survived on Kingsmill rolls and Edam cheese and Smirnoff Ice, and fell for three different guys in quick succession, the final one being my now-husband.

I also wrote a wacky but fantastic story about a girl whose heart, in the form of a cookie, is eaten for breakfast. I got an A for that class, after only attending 1.3 lessons. I did the reading!

What I Wrote This Summer

*New England idyll: Billings Farm Museum, Vermont*

It’s always interesting to see other writers post about their vacations in the summer. Some catch up on reading, and many are busy with their children during the holidays anyway. For me, I spend 4 weeks out of the 6-week break going to see my family in New England. There are definite vacation aspects to this—the lakes and rivers, the mountains, the ice cream.

It’s also very busy as I condense a year’s worth of interactions into 1/12 of the time. Half my family are too busy to keep in touch when I’m not there, so I run around trying to help people out and make memories. They are all I have, and they are precarious without me recording them. When not Doing Things, I’m scribbling about them.

This leaves little reading time. I have writing commitments—promised critiques, etc, and also students I check in with even in the summer, so I squeeze those in. What I do find, though, is that the travel, the hiking and driving and swimming and reflecting, open me up to learning a lot of random things. Without the more rigid structure of work and long-term writing projects, my brain relaxes just enough to sponge up new information.

What I Learned This Summer

There were my discoveries while hiking, which I researched later:
The rather formidable Argiope aurantia (ok, yellow garden spider) keeping watch from her web in the lake bridge. It’s also known as a zigzag spider because of that uniquely thick central line. The purpose of this unique pattern is still unknown to us.

The Warren Rocket: My family got together in Warren, NH, near the White Mountains. While other towns have Civil War cannons on their greens or in front of their schools, Warren (population peaked in 1860 at 1100-something) has a great big Redstone missile rocket. (Pictured at the top.) It was funded and transported by a local veteran hoping to encourage interest in space travel.

Signs around the rocket tell visitors about SS Officer Wernher von Braun, who supervised concentration camp workers to manufacture missiles that killed 1400 Londoners. After the war, Americans smuggled von Braun out of Germany to design even deadlier rockets over here, but also realise his childhood dream of sending rockets to space. I wonder what the childhood dreams of his captive labourers were, or those civilians killed in airstrikes.

*You can see why the Morse Museum caught my eye…*

The Morse Museum: Another early morning Warren hike discovery, a building with granite plaques advertising Curios of India and China, and African Game Trophies. Now-vacant, it was dedicated in 1928 to house the collections of Ira H Morse, a local shoe store mogul and game hunter. There’s a colourful bio online of IH and others, written by affectionate family members. They include his adventures but also quirks like how he would “ream out” uncooperative salt shakers, at home or in public.

Speaking of museums, there are a couple in the area which I like to visit.
Billings Farm, a late 19th century agricultural reenactment site. It’s great for learning about cows and dairy, edible plants and farm life (see above). When we visited this year, they were making pasta in the farmhouse kitchen. I hadn’t realised how long pasta has been a staple in the US (it’s much more recent in the UK), but in fact Thomas Jefferson sampled and loved it in Europe, and by the time of the Civil War macaroni was very popular.

The Hood Museum at Dartmouth College: I always stand in awe before the incredible, ancient Assyrian tablets before moving on to the current exhibits. This summer, a diverse selection of art including Musasama’s elaborate arrangement of textiles and natural objects across the floor, part of the Maple Tree Series, made me aware of the maple tree abolitionist movement. Did you know that in the 1790s, free people of colour, white settlers, and native Americans advocated substituting maple syrup for cane sugar, to starve the economy propping up enslavers?

My family creates a good learning environment, with our eclectic interests. Dinner discussions might be about what’s the oldest continuously-used language in the world (Hebrew, Tamil, Sanskrit… Lithuanian and Icelandic appear in the top 10, too). My dad found an 1884 encyclopaedia in our AirBnB and read passages out loud to us. There was no entry for childbirth, but lots of details on “Brawling in Church” and the various statutes against it.

Even though I didn’t do much writing work over the summer, the feeling of my mind loosening to hold more is not an unwriterly sensation. New stories could develop from here!

Do travel and family time inspire your writing?

Incorporating Wildness

This Week’s Bit of String: S-curves under Main Street

Like many former mill towns, my parents’ town in New Hampshire is built on a river. To be more precise, it is built between a series of riverbends. The Mascoma River threads beneath Main Street twice, and beneath another principal artery around the corner of an intersection.

We moved to this town when I was a somewhat irascible 8-year-old and its charms were lost on me for a decade or two. The town wasn’t really feeling itself for a while there, either. When I visit now, and walk early in the morning to avoid the worst heat, I know to look over both sides of each bridge for heron, deer, and bald eagles. And I’ve started wondering at the river itself.

The town buildings of Main Street, mainly originating in the late 1800s or early 1900s, are built right next to the river but a fair way up in elevation. The banks are unbreached walls of leaves. Boulders stand in the water as if swept there by glaciers, just a car park away from the former laundromat (future microbrewery). There’s a heavily wooded peninsula in the middle of the river section near the Lutheran church. I’ve never seen a person down there but have seen a pair of deer drinking.

I’ve started wondering about all this. What was the river like before the town was built? Was it a great deal wilder in its natural state? Did boats travel down it when the mill was functioning, somehow steering around the boulders?

Inner Wilds

While contemplating how closely we can live with wildness in nature, I began drawing parallels to inner life. We grow up civilising ourselves, so to speak: building various blocks we deem useful or desirable within our minds. As we develop our mental landscape and moderate our personalities, what torrents gush, untameable, between these blocks?

*This is actually right in the middle of town.*

An interesting analogy as I traipse through the grey-gold dawn in my childhood town, and reflect on different incarnations of myself. I wonder at which point I was the most wild, the most untamed. It’s the moments when I feel most unique that I feel most myself, like when I used to run outside alone into thunderstorms. But there are so many shared characteristics among us all, equating identity with individuality may just be another societal pressure.

As an oldest child of four, and in a religious family, I’m not sure how wild I’ve ever been, really. Who knows what my natural state would be, and whether my eagerness to conform affects my writing. Most likely, my writing is where I break free from it a little.

Defying Expectations

After all, the problem with trying to conform is that there are so many standards to meet from others, and often they are contradictory. It’s cool to be non-conformist, at such times when society expects it from us. It’s equally challenging with writing: be clear but don’t over-reveal. Ensure your characters are unique, but recognisable and likeable.

*Even the built-up bits won’t last forever. The mill upriver from town.*

Writing a happy ending is practically an act of rebellion these days. Allowing a villain to be truly villainous breaks the writing mould (and I don’t think I have it in me to do that, although I’m happy to read it). Similarly, opting for quiet, non-busy moments in real life may be the ultimate subversion. Am I at my wildest when I’m out hiking or when I’m curled up reading a book?

By linking the word wild to its root of natural (with connections to wold; woodlands), then it’s easier to accept these contradictions. After all, nature can be both calm and then fierce. Sometimes at the same time—tonight I tried to connect with my wild self by going out in rolling thunder and glimmers of lightning, but it barely even rained. Well, I was there even if the storm wasn’t quite.

What wildness have you built your life around, and how do you reconnect with it every now and then?

Making It Up

This Week’s Bit of String: Near-misses and resistant materials

“Miss, did you ever almost cause the death of a small child?” a year 10 boy asks casually as we sit on the high stools around a Design Technology table. Three boys with various tools and MDF fragments, me with my laptop and notebooks.

This is Resistant Materials. I know very little about CAD, woodwork or metalwork, but I’m supporting a student doing the GCSE. When I told my husband I’d be helping with Resistant Materials, he quipped, “Is that the course, or the students?”

Fair question. But I’ve clearly won some trust. The boy who’s asked this surprising question explains to me that he was once on a ferris wheel with a friend, and her shoe fell off and almost hit a toddler on the ground. Hence, he feels he was beside someone who almost accidentally caused the death of a small child.

Story ideas pivot on crucial moments like the one he mentioned. A slight change in breeze, an incremental rise or fall in the Big Wheel, and the shoe might have hit. I noted the exchange with the Year 10 boy and preliminary thoughts about the alternate scenarios in my daily scribbles, ready for half-term when I have a few free hours to sit, and wrestle out my first new story of the year. I’ll have my latest novel edits all typed up by then.

Exploring Options

Around the time the Resistant Materials boy mentioned his anecdote, I was reading through a literary magazine called Story. It’s based in the US, and I discovered it because I was looking for submission possibilities and Googled “short story magazine.” Sometimes we forget to keep things simple; we look through comprehensive listings of publications and deadlines and fret over word counts… This was more a case of “ask and you shall receive.”

There were some great stories in this issue. My favourite was about a group of boys and their scout leader who got trapped in a cave for several days. The dynamic among the boys before, during, and after was fascinatingly written. It made me realise–and again this sounds SO obvious but it’s another thing that I lose sight of now and then–we get to make stuff up.

I’m pretty sure the writer hadn’t been stuck in a cave or been close to someone who was. But they did a great job making up the scenario and tracking its impacts. I’m going to do that too, I thought. Make something up.

I tend to be a bit timid with my ideas, whether it’s from actual fear or more likely, lack of mental energy. Starting from scratch is EFFORT, to borrow the ultimate disparaging statement from my students. That’s why it can be useful to begin with a memory, with a favourite setting or even person, or with a retelling, a twist on something old.

What About the Future?

Lately, I’ve indulged in inventing future scenarios. If my imagination is slightly inhibited regarding stories, I severely limit it when considering how real life could turn out. I’ve done this from a young age, to avoid disappointment. I specifically remember preparing for my 8th birthday, to be celebrated at Chuck E Cheese’s, something I’d wanted for years. Rides! Games! Pizza! I’d wanted it, but wouldn’t allow myself to picture it, because that would risk building expectations.

If we’re tuned into the world, and we have an ounce of empathy, it can’t escape our notice that we’re clinging to some privilege. Whatever tough times we’ve had, billions in the world are substantially worse off. My husband and I remark to each other sometimes about the Event, an imaginary but tacitly half-expected reversal of world fortunes.

“This would be a strategic location in the Event,” he says when we take in hilltop views on a hike.

“For the Event,” I say when I add to the ranks of canned goods in the cupboard.

But it’s also possible that amazing things will happen in the future. You know, on occasion. Struggling to sleep with exam stress on behalf of my students recently, I started imagining what, for example, our 30th or 40th anniversary might look like, having just celebrated our 20th.

Maybe we will be surrounded by family next time, instead of on our own. There could be a new generation of children on the scene, and though another decade could see further health complications for my parents, I imagined my own kiddo helping to ensure they’re looked after, and this brought comfort.

We can’t get attached to any single projection of the future. But envisioning positives—perhaps especially in the form of small, everyday details—is a new bravery for me. Part of appreciating what I have means letting go of my expectation of disappointment. And if events look to go in a different direction, then I’ll just make up new hopes.

How do you keep sight of the freedom to make things up?

Writing to Remember

This Week’s Bit of String: Memory manager

My mother always said you can tell a storm’s coming when the leaves blow upside down. It doesn’t sound logical, but she’s right. Once you’ve seen enough storms, you recognise a particular silvery toss.

When I was a kid, we lived across from a lake and spent whole summer days there, sometimes cut short by thunderstorms. As black clouds massed over the water, the maple tree beside the landlord’s boathouse would thrash and moan.

And we’d run for it, holding hands across the road, towels streaming behind us. Once indoors, we watched lightning jitter over the lake’s teased-up waves, and sometimes the power went out.

One such evening, we played on the scratchy carpet illuminated only by my dad’s battery-powered reading lamp. Perched on the edge of the sofa in his shorts, Dad flipped through a computer magazine and sang about the glossy adverts inside. I still recall the words:

“Super T-R-S control. Memory manager! Memory manager! Free inside this bo-oook!” As with many of his ditties, the first line copies the opening of “Good King Wenceslas.” Then he finished with a high-pitched flourish.

At the time, we were probably bored with being inside in the dark, hot in the humidity, and hungry for a dinner my mom wouldn’t have been able to prepare without electricity, but all I remember is Dad’s goofy crooning, and it makes me smile.

35 years later, I have no clue what a super TRS control memory manager does in a computer, or if it is in fact something a computer still relies upon. I do know that at every stage of my writing life, memory has been an essential motivator.

A Justification for Stealing

As writers we are somewhat notorious for snatching versions of people from our lives and wriggling them into stories. Sometimes a whole person might get caught up with the bits of string we collect.

Preserving one-time theatre buddies, exchange students, or other lost friends in my writing helped get me through high school and college. I could huddle in my work when metaphorical storms came.

*A local wall. Layers and fragments and wear and tear… it’s kind of beautiful, isn’t it?*

Remembering is more than piecing together fragments. It is a profession of faith: You’re not here, but I believe in you, and the closeness we shared.

I’ve always loved Lionel Shriver’s line from We Need to Talk About Kevin, about a good-bye kiss the protagonist clings to: “I have relived that moment so many times now that the memory cells must be pale and broken down, like the denim of much-loved jeans.”

I’d done the same thing. Curled into a college half-desk in my Contemporary Poetry class, hunkered against a tempest of morning sickness, I would zone out from discussing TS Eliot’s “The Wasteland” and recall saying goodbye to my now-husband in Victoria Station. He’d cried and said, “You’re not the sort of person one forgets.”

I’d worried for the integrity of my memories, whether they’d buckle under the strain of my reliance. Is a remembered instant like a favourite song, and if you rewind too many times the cassette ribbon gets tangled and won’t play?

Nostalgia vs Declinism

Our memories aren’t saved into hard drives. They can get corrupted retroactively, or embellished. This is why I do my daily scribbles. My memory has a back-up. I’ve conserved in my pencil scrawl what ordinary felt like when my kiddo still lived here with us in the UK. I’ve described countless morning walks, in case the trees all get chopped down or my legs stop working. I’ve put down the frustrations and small wins and many laughs and a few tears over two years of getting to know SEN students who are now about to take exams and leave.

Studies show that the older we get, the more we prefer to reexamine the past than imagine the future. This is the tricky boundary between nostalgia and declinism, believing the best is all behind us and nothing good lies ahead.

Crossing that border is dangerous not just to ourselves, causing anxiety and pessimism, but potentially to society. The nagging feeling that things must have been better before, surely the nation was greater once—it can lead to people making some selfish political decisions.

I get the anxiety, of course. When the future flashes into my mind, it’s often like the maple tree by the boathouse at our childhood lake. A menacing, pale toss. The present could so easily blow away; storms of some kind are inevitable.

So we run for it, into our memories, and I’m thankful for how writing has reinforced mine. If the alternative is oblivion, I am unrepentant about my pilfering. Besides, memory needs imagination to keep going.

While a remembered person or location can inspire me to start a story, it’s the moment when they alchemise with other elements of fiction, when they become something truly new, that motivates me to keep going. That’s when I know I’m on to something.

Understanding that helps keep me from getting lost in the past. The power of synthesising the old into something fresh and creative means we can make something from the future, whatever it brings. It’s like my dad making new songs from a Christmas carol and a computer ad, and I’m still singing it decades later.

How do you preserve your favourite memories?

New Pleasures Prove

This Week’s Bit of String: Tale of two benches

Last Saturday night we went on a date. We got dinner from the chippy and sat in the rare clear evening on a bench above the car park.

“Like two yoofs,” my husband said as we popped open our cans of Rio tropical drink. “But without the cheeky ciggy.”

After our chips, we did a cultural about-face at the town cinema watching a broadcast of the National Theatre’s excellent The Motive and the Cue. Based on diaries from when John Gielgud directed Richard Burton in Hamlet, it made us want to see the actual 1964 production. It was my kind of nerdiness and luckily, my husband was all for it.

I remembered when we first moved to the town, new to the area (in my case, new to the whole nation) and unsure how to entertain our 3-year-old. We wandered up to a school playground on a typical cloudy afternoon. A plain, plasticky bench had a slightly rusting plaque: “In memory…” and a person’s name.

“Not the most flattering tribute,” said my husband.

“Well, it doesn’t say ‘In loving memory’ or anything,” I pointed out.

That made him laugh, and I felt smart and seen for a minute. That didn’t often happen in the first months as an immigrant and wife.

This week is our 20th anniversary. We’d used a John Donne quote from “The Bait” on our wedding invitations.

“Come live with me, and be my love, And we will some new pleasures prove…”

I didn’t really have an idea what those pleasures would look like (does anybody?), and it took us a while to find the confidence and freedom–and economic stability–to come up with the successful melding of tastes like we had last week.

If That’s All We Have

It took time. Two decades ago, our wedding song was Louis Armstrong’s “We Have All the Time in the World,” from the James Bond film On Her Majesty’s Secret Service. That is my husband’s type of nerdiness: gadgetry and fast cars and also outer space.

When we met and I was nearly 20, I was keen to lose myself. The movies we watched were ones he thought I should see, and I was thrilled to be trusted with them. We had 20 days together—weird how this number keeps popping up today—between meeting and my return from Old England to New. At some point in that mad rush, he played “We Have All the Time in the World” for me, and I was moved to the point of no return.

I’ve written about time before, though. It can be more romantic when you don’t have much of it, in the same way we sometimes use it better when we know it’s scarce.

When we said our wedding vows and I eventually sorted the paperwork for our kiddo and me to emigrate, the dream of being together became a promise. One of those takes more work than the other!

*Poses like these! New Orleans, New Years 2024*

The effort has been amply rewarded. My husband is a musician, so in addition to being immersed in James Bond and Star Trek, I get to be a jazz band groupie. I would never have imagined that my cautious British physicist would turn out to be a star poser for photos, or that he’d come along to Shakespeare performances.

Sticking with it for the amount of time that change requires is a small miracle. Other times, we swoop to each other’s rescue in an instant. That’s another miracle: when one vulnerable person reveals their desperation and their partner responds with care, no matter how lost and alone they too may feel.

Suddenly You Flare in My Sight

If a story equals character plus event plus time, there are infinite combinations. I come up with fiction ideas by asking “What if…?” sometimes about real-life situations, but not usually about my personal ones. Lately, though, I imagine alternative realities which would have unspooled had I made different choices.

We often liked to tell people, if they asked how we met, that we never would have if he’d been a moment later heading back to his uni, and had missed the train. But what if we’d met seven years ago, or ten, instead of twenty-three? If we met the same way, as students with no assets swiftly adding a child to the mix—we’d never have been able to live together as a family. The immigration laws are so tight now, they keep increasing the amount a British citizen must have in the bank to earn the right to bring an international spouse home. I ache for the people kept apart because of this, because of meeting each other a decade too late.

This helps me appreciate what we have, and I track our moments of delight in my daily scribbles. As favours we gave all our wedding guests copies of Wendell Berry’s poem “The Wild Rose.” He compares his longtime partner to a wild rose blooming… “where yesterday there was only shade, and once more I am blessed, choosing again what I chose before.”

There are so many twists in life which we can’t control, and always a fair few choices to regret. It’s nice to remember the ones we’re more than satisfied with, even—dare I say it—proud of. What surprising choices would you make all over again?

Trouble of Our Own Making

This Week’s Bit of String: Saturday morning movies

One of our family traditions was letting Mom stay in bed on Saturday mornings, and we’d watch a movie. This sounds simple, but we had to choose from our videotapes, mostly random stuff recorded from basic cable, plus Disney feature cartoons. I’m the oldest of four kids, with five years between myself and my youngest sister. Certain parties objected to anything in black and white, and it couldn’t be too “mushy,” and one gets creeped out by films with talking animals.

Whenever I vetoed a movie, my siblings would roll their eyes and admit annoyed defeat. “Oh sure, because they get in trouble.”

*This movie’s still a nope from me. But the local vet’s window display was very cute!*

It’s true, I was super sensitive about misunderstood characters in kids’ films, from Anne of Green Gables to Pete’s Dragon. Lady and the Tramp—I couldn’t bear that one (plus, it had talking animals so it was out anyway). It was the same with books: Curious George, for example.

I was petrified of getting in trouble for something I didn’t do, or even worse for something I did. I was the oldest child in a religious family, sensitive by nature, also traumatised by abuse. My dread of getting in trouble was so severe I couldn’t read or watch things where that occurred.

Causation vs Correlation

Lucky for me, in quite a few children’s films, things just happen. We ended up watching Peter Pan a lot (not the cartoon, but a slightly fuzzy tape of Mary Martin performing the lead in the Broadway musical). Plenty happens in that without the characters necessarily causing it.

It’s different as you get older. Characters must be autonomous, reflecting our quest for independence. This means everything that happens stems from protagonists’ decisions, overreaches, and failures.

Every crime-busting film from Miss Congeniality to Hannibal starts with the heroic detective disgracing themselves, and they must salvage their reputation. Every superhero film first establishes them as fallible; their powers are their only shot at redemption.

*We love wonky, flawed characters. But do we have to make them responsible for everything?*

Recently while I finished retyping my entire novel with new edits, I streamed Paddington and Paddington 2 to get through the copying. When I mentioned it to my youngest sister, she was like, “Wait, how do you watch those? Paddington gets in trouble all the time!”

Yeah, I kind of got over that. I had to, or else I’d never read or watch anything. Nor would I be working on my current novel, about possibly the most famous Character Who Gets in Trouble of all time: Eve, the original sinner.

As I edit the book, I’ve been reading about story structure. John Yorke in Into the Woods presents the prototypical story structure as a process of awakening. Initially, the protagonist does not deal well with revelations and things continue going wrong. I just finished Nikesh Shukla’s Your Story Matters, in which he emphasises the importance of causality: the plot springs from a main character’s action or deliberate inaction when faced with new knowledge.

In other words, the main character is SUPPOSED to make it all happen. It’s all their fault. They have to fall a long way in order to teach us how to get back up. Every protagonist, in a sense, is the author’s sacrifice.

Agency vs… Real Life?

Now that I recognise how it works, it’s stressing me out and reviving my aversion to characters getting in trouble. I put a film on and wait for the character to completely blow it. I’m anxious while reading because I know the protagonist is destined to screw things up.

*There are a lot of things bigger than our characters and us.*

I do like a domino plot, though, where each detail causes another; the way John Irving or Margaret Atwood spin massive tales of intricate characters and everything’s interconnected by the end.

As I go through my Eve book yet again, I’m wondering how to cohere the trajectory, Eve’s actions (or inactions) and their consequences. This is a myth retelling, so not everything is strictly in Eve’s control. She has God, Lucifer, and most chaotically, other humans to deal with. Plus, part of my reason for writing this is to repudiate millennia of condemnation. Maybe bucking the traditional structure is acceptable, or am I a bad writer if Eve doesn’t trigger every consequence herself?

I noticed that in Dune 2, the protagonist never fails at any new trick he tries. The developments in the plot are not of his own making—different from a Marvel film. Indeed, Nikesh Shukla notes that the character-triggered consequence story structure is a Western tradition. It makes sense, I guess, that main characters from other, more faith-based cultures have less agency to affect the plot.

We Westerners are obsessed with individuality—the downside being we can be persuaded that any trouble is our fault. In real life, it’s not. Not every time. How tightly do you like your plots linked to your character’s actions? Does it ever cause you anxiety, knowing a character is destined to get in trouble?