This Week’s Bit of String: An empowering walk to work
After a not-entirely-fun Bank Holiday weekend, I set off to work Tuesday morning with a mix of Mika, sea shanties, and Noah Kahan playing on my earbuds.
Exams start in less than a week, equating to hours of sitting next to my SEN student while she attempts to answer papers designed for only half the population to pass. In a month, my parents will move out of their home after 37 years, a huge task which I can’t help with from overseas, but in my house I’m clearing out my son’s things and some of my own. During the long weekend, I spent hours going through school notebooks, birthday cards, crafts, story drafts, sheet music, and a few tiny little outfits and stuffed toys. I feel wrung-out.
I’m also doing lots of agent research, and the book I started over the weekend, Sally Rooney’s Intermezzo, was not proving enjoyable. I’ve heard her name a lot, and literary agents mention her.
But this book is full of dense, page-long paragraphs cataloging every thought the characters have, and the minute actions of their daily routines. Also the characters are of the relatively privileged, but miserable ilk.
While I walked to work that morning, I thought: What if I just didn’t read the remaining 300 pages of Intermezzo?
And I knew it was the right choice because beyond relief, I felt liberated (which is hopefully how I will also feel, instead of mournful, when boxes of Bear’s old things go to the charity shops). I felt MIGHTY.
There’s a lot I can’t control. But I AM a loving mother who’s just recycled half her precious child’s finger paintings and 95% of their schoolwork. I frequently scythe through passages of my short stories and chapters of novels to make them more readable. I am capable of ruthlessness and this was an opportune, low-risk situation in which to wield it.
A Rare Relinquishment
I’ve only left one unfinished book in recent years, and that was Murikami’s The Wind-Up Bird Chronicles. It had one of those male narrators who thinks everything is about sex and all girls want to sleep with him. Not a lot seemed to be happening, and I decided to use my time better.
During my education, I read plenty of classics and plenty of books about unfortunate souls. From Hawthorne’s the Scarlet Letter and Bronte’s Jane Eyre, to James Joyce’s Dubliners and Kafka’s entire oeuvre, I put in the time and have relished the majority of those works.
But here I am, looking through agents’ requirements and all the preachy advice. At every step, writers are told to “Show, don’t tell” and to cut everything not indispensable to the plot. Where then does Ms. Rooney come off narrating (through her prematurely midlife-crisisy characters) every single thought in these interminable paragraphs with no differentiation for dialogue?
Nope, I was done. A couple weeks ago, I read a fun “romantic” genre novel to enjoy myself, and there are plenty of literary books I can enjoy too. If they, you know, have a plot heading somewhere at a decent pace.
Part of the Job
My target is to read 3 books this month, and I still can fit them in. After my fateful decision on my walk to work, and then the manic workday, I visited the town library and checked out an Anne Tyler novel. I’ve loved what I read of her before. She’s brilliant at “showing.” She’ll describe a character’s physical appearance in a pithy way that reveals their life philosophy as well. Yes, sometimes in her books she’ll walk you through each step of a protagonist’s actions as they execute a task, but she’ll do it in a revealing way. There’s a Raymond Carver-esque quality to it.
It’s also useful for me to read another Anne Tyler novel because I have been citing her family sagas as a comparison title to The Gospel of Eve. So, it’s research as well.
There’s no doubt that reading is an important part of a writer’s work. It’s good for everyone to read a range of stories, but at more taxing stages in our lives/ creative endeavours, it’s best perhaps if reading doesn’t feel like a chore.
As fatigue accumulates and I feel often on the verge of tears, I’m working on fewer writing projects at a time to focus on querying, and I’m prioritising exercise and fresh air. I will take a week off from the clearing-out project too because there’s only so much ruthlessness I can stand.
Maybe if I’d picked up Rooney’s book at another time–perhaps when my child was still right here, running around me and telling me stuff–then I wouldn’t have minded it so much, and would have persevered. For now, Intermezzo has joined the ranks of the many books I’ll be donating to the charity shops.
What are your deal-breakers with a book? How far do you think we should push ourselves in our reading?