New Year, New Doom

This Week’s Bit of String: Things that growl in the night

3 a.m. The cat is finished napping. Although unlike myself, Obie is naturally blessed with an ability to see (and hunt) in the dark, he doesn’t like to go downstairs alone. So every time he wants something downstairs, he scratches the wardrobe or mews chidingly, and I walk down with him. He goes to his food dish and I turn promptly around. 

Trees by Stinchcombe Hill

But then he starts growling at the back door. He makes those feline siren calls, starting low and building to a high whine. Then come the full-throated snarls and hisses. Something out there, through the full-length double-glazed glass, terrifies him. My husband and I don’t see anything, but I am shaking violently, thoroughly spooked.

While awake for ages afterward, I didn’t know exactly what I was afraid of. What could realistically have been out there that would pose a threat to us inside? An axe murderer? Maybe the proximity of another living being’s terror was enough to drive my own without any logical reason.

Scrolling, Scrolling, Scrolling

It wouldn’t have helped that I was anxious anyway. I’d been scrolling social media before bed and even during the night while already awake. Flinching past the attempted justifications for violence against immigrants and protesters in Minneapolis, worrying about the tensions over Greenland, horrified by the cost in human lives fighting for freedom in Iran. 

2026, what is WRONG with you? I came into it excited, albeit cautiously. Looking forward to visits with my family, to working hard at writing, and especially to my own kiddo’s wedding in the summer. One reason I’m obsessing about the news is because I fear being separated. 

A beautiful place: the Minneapolis skyline viewed from its famous Spoonbridge and Cherry at the Sculpture Garden on the Loring Greenway

The US is planning to tighten entry restrictions even for tourists. To visit with me, my husband will have 5 years’ worth of his social media scrutinised. What if he liked a meme that hurts their feelings and they don’t let him in?

I promise you, I know how fortunate I am. My life ticks along, even if sometimes on about 3 hours of sleep per night. Our house doors are sturdy and the country where I’m an immigrant hasn’t completely turned against me. But awareness of privilege doesn’t ease fear. 

When I’m scrolling through news and social media, I’m not seeking personal affirmation. I’m looking for a sign that truth and empathy are winning. I crave universal agreement on what we see with our own eyes: that a human being with different beliefs or skin colour is still a human being, that a woman turning her car, maybe scared because some swearing paramilitary-looking dude was trying to force open her door, did not deserve to be executed. 

Looking Ahead

We’re not going to get that, though, are we? A reasonable, empathetic consensus about human rights. It weighed heavily on me last week, exacerbated by the fact that a couple of students at work are so cruel and thoughtless, they’d fit right in with the Republican cabinet.

Lines of comfort, Wilson Gallery

Another little group of students had asked me about guns violence in America. Kids will often make that association, and they want to know if I witnessed any. No, but there was a shooting at my school a couple years after I left, and another shooting widowed my sister’s best friend.

“How do you go out over there when you could get shot?” one of the British kids asked.

All I could say was, “You have to still live your life.”

We’ll vote for change and share the truth and advocate for empathy. In the meantime, I’ll plant my little crops, the first wave of which sits in compostable trays all over my dining room table. I’ll work on my writing, and I’ll try to read more than scroll. Panic doesn’t serve any use, and as my cat proved, it is infectious.

I’m also making use of the somewhat hospitable British climate, where I can take walks and admire the shape of bare tree branches against the sky. My final recommendation is to take in some art. We went to the Wilson Gallery in Cheltenham. It has an exhibit on the Arts and Crafts movement, and the sight of beautifully polished wood grain soothes me like flowing water.

How are you ensuring fear doesn’t get the better of you?

Writing Away the Winter Blues

This week’s bit of string: Moss loaves and leaf stew

Narnia-like landscape
Found any countries in the cupboard lately?

As kids, my brother and sisters and I spent our days outside, fortifying dens to protect against unseen armies or searching for faeries. We often pretended Winter is Coming (I’m cross with Game of Thrones for purloining this premise), because the additional threat of nature made it more exciting. This necessitated hoarding of bread and fish: loaves of moss scraped from boulders, and bedraggled leaves caught from the stream.

Even now, the onset of cold and dreary weather gives me a thrill and causes me to particularly relish writing time. Am I alone in being inspired by winter?

Studying the Effects of Temperature on Creativity

There are many factors in the creative process. Research seems to prove that exposure to warm temperatures, even if it’s just holding a warm cup of coffee, inadvertently encourages people to treat each other more warmly, or at least to perceive each other as less emotionally cold. People are more inclined to notice relationships and connectedness when they are physically warm.

Given that conclusion, and my insistence that empathy is crucial to the writing process (and to life generally), these studies make it seem that cold weather might be bad for writing.

However, cold temperatures foster a different type of creativity. According to the same study as above, cold weather encourages metaphor recognition and originality of response. (The latter attribute was partly tested with a pasta-name-inventing exercise. How do they come up with these things?) So perhaps it’s actually a good time to be thinking of new story ideas, building new worlds, and incorporating symbols and meaning into our work.

Advantages of Winter Writing

Resourcefulness: Some of my most unique ideas come during cold months. A story featuring dolphins on Mars, for example, and my play A Night at the Armoured Cars Sub-Division, in which a secret government agency spies on people’s dreams to solve crime. Maybe we harbour an innate response to hazardous cold, an ability to consider options beyond the usual suspects. Isn’t that rather thrilling?

winter-branch
See? Beautiful.

Fewer distractions: Sometimes I think, thank goodness it’s horrible out; I can just get on with my writing. Everything’s stripped bare, and that’s beautiful to me. The bleaker landscape makes shape and rare colour stand out, and that emerges, I believe, in my writing.

Structural integrity: Even if the drop in temperature renders it more difficult to fully appreciate the pulsing inner warmth of my characters, this could be a good opportunity to look at the mechanics of plot and retrace the structural foundations of a tale.

Creating our own heat: Further data shows that winter causes us to seek psychological warmth. People renting online movies choose romantic ones more often in wintertime. What better place to seek warmth than with our characters, preferably while huddled under a quilt and sipping some hot fruity tea?

I realise I’m lucky. I no longer live in part of the world that gets extreme weather. And in any part of the world, winter can have a terrible effect on some people, bringing depression which might dry up the very creative juices which could have sustained them. If that describes you, there are pages on the NHS website and on this useful Writing and Wellness site, which I hope might help. It’s not a problem to be taken lightly.

Taking the Weather With You

frostywebAs it turns out, both my completed novels use extreme weather as a backdrop during the pinnacle of the action. In The Wrong Ten Seconds, tensions escalate during a brutal heatwave in a small midlands city. In Artefacts, everything unravels as the New England temperatures plummet:
“I love looking at you in this spooky snowstorm light.”
“It’s not really a storm.” Helen stared at the snow swirling around a streetlamp. Every now and then, a flake was caught in a gust, and blown upward against the bulb, brilliant as a firefly.

Selecting seasonal details to enhance characterisation and plot is another part of the fun.

Do you think winter affects your creative process? How much does it impact the characters in your stories?