This Week’s Bit of String: Personification of ants
Our neediest Year 9s have been treated to a poet-in-residence course. The poet wears bright-patterned shirts and hipster glasses and leads the troop outside to find objects for personification practice. My dynamic duo choose an ant, and assign it a “he” pronoun.
“A male ant,” I say. “That would be an uncle!”
It’s the last lesson of the day, and very hot. We are all tired. I start to chuckle at my own joke.
My student, who takes stairs three at a time and is so bouncy you could easily interchange him with Tigger (although the constant involuntary shouts and bird chirps might give him away), stills suddenly and gives me a stern look. “No.”
I’m not generally sadistic, but the poor reception of my pun makes me laugh even more. The kids are disgruntled, and that’s hilarious. I try to apologise, but I’m not very sorry.
A couple weeks ago I attended my first in-person workshop or course since before covid. It was about writing with humour, hosted for Evesham’s Festival of Words by Fran Hill, whose memoirs including Miss, What Does Incomprehensible Mean? are brilliant examples of warm humour and efficient prose. We went over different kinds of funny scenarios and set-ups, including wordplay like my awful hot-afternoon pun, and read and created lots of fun examples.
Because we don’t do this often enough, I thought I’d dedicate this post to comedy. So, in case you’re a bit tired and world-weary, here’s a little compendium of things I find really funny. Don’t worry, they’re higher quality than my ant joke.
In my family we watched a lot of vintage comedy. My father passed his own father’s love of the Marx Brothers and Spike Jones down to us. The humour that often stays in my memory is musical. Here’s Chico Marx’s piano routine in Animal Crackers–and Groucho’s annoyance with it. “I can’t thinka the finish!” – “That’s strange, and I can’t think of anything else.”
Often what makes us laugh is an element of surprise. It’s characters who we expect to be straight-laced suddenly subverting stereotypes and doing something outrageous. Growing up (and this is still true for me), my siblings and I loved musicals and Disney animated films. I’ve got examples from both showing characters doing something hilariously unexpected: Fagin’s entrance in “I’d Do Anything for You” from Oliver!, and Kronk, the beefcake boytoy, creating his own theme music in The Emperor’s New Groove.
As we got older, we became fans of irony and understatement. We loved the Anguished English books, collecting the most egregious and uproarious written mistakes often from professional settings. We liked the absurd. Here’s a scene from the Beatles’ film Help, because Ringo’s flat-toned reaction to nearly having his finger bitten off in a vending machine tickled us: “I thought… y’know, I thought she was a sandwich.”
The Music Plays On
Given that the family I’ve raised is also quite musically inclined, I continue to enjoy that type of humour. Comedy increases its impact when it uses cultural references that people can further relate to. Bill Bailey is great at this. My husband and son and I love his Belgian jazz version of the Doctor Who (Docteur… Qui) theme song. Or, if you prefer, he also does a terrific reggae rendition of Downton Abbey.
Talking of unlikely combinations, here’s a fabulous mashup my son created, of Beethoven’s Fur Elise, and the Tetris theme. How awesome is it when your own kids make you laugh?
I also love an ensemble piece. For me, that’s what makes shows from Buffy the Vampire Slayer to The Office to Stranger Things to The Good Place so fantastic. You adore and rely on every cast member. Here are prime examples of ensemble comedy from each side of the pond, that have me laughing more with each character adding to the piece: The Muppets covering “Bohemian Rhapsody,” and several incredible British actors and actresses attempting Hamlet’s soliloquy together. You’ll love both of these from the beginning… but the endings blow them out of the water.
In literature, Dickens’s descriptions of people make me laugh, and Louisa May Alcott’s quick action tags like saying a boy exited “with the graceful gait of a young giraffe.” An especially memorable (partly because I was on a bus full of dour commuters at the time) laugh-out-loud passage is from Michael Chabon’s The Yiddish Policemen’s Union:
“Reunited in their parents’ bed, the Shemets boys set up a whistling and rumbling and a blatting of inner valves that would shame the grand pipe organ of Temple Emanu-El. The boys execute a series of maneuvers, a kung fu of slumber, that drives Landsman to the very limits of the bed…”
Most of all in my reading and writing, I like to celebrate surprising alliances, to build little bands of misfits, so maybe that’s why I enjoy odd pairings in comedy too. My humorous short story “From Newcastle, With Love” appears in the Stroud Short Stories anthology, and you can hear me read it (and hear the audience laughing at just the right places, too).
What are some of your favourite funnies?